In 1972, after testing the new laxer restrictions by introducing the Spider-Man villain Mobius, a scientifically-created vampire, Marvel Comics unveiled a wave of horror comic books that included Werewolf by Night, Frankenstein's Monster and Ghost Rider. With drug use now allowed in books, monsters quickly followed. The Authority, seeing as they were on the losing side of history, began to sharpen some of the edges off their restrictions in fear that they would be removed from power completely.
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It wasn't until an anti-drug storyline ran in the pages of Amazing Spider-Man in 1971 that Marvel was able to slip from the grip of the Comics Code Authority - running the series without the code but winning public good will all the same. You could have Fing Fang Foom but god help you if you wanted to read a book featuring a zombie. While giant monsters would have their home in Marvel Comics' anthology series (many of whom are set to return in the upcoming Monsters Unleashed! crossover), restrictions in place by the Comics Code Authority prevented Marvel from seriously dipping their toes into the horror genre. If you wanted your books sold in respectable stores, you had to wave good bye to the idea of ever seeing vampires or werewolves in your storylines. Who could have guessed that it would be gay panic, not silver bullets or a stake through the heart that killed comic book monsters.Īlmost immediately, monsters were outlawed from the pages of funny books. But then along came psychiatrist Fredric Wertham, with his book Seduction of the Innocent, and a war on horror comics was waged.
These lurid depictions of monsters - both supernatural and all-too-human - were bold and bloody. And don’t get your scrunchies in a bunch: Some hair metal definite snuck in.Once upon a time, there existed comics with titles like Tales from the Crypt, Vault of Horror, The Haunt of Fear and others. From genre-defining works of genius to ear-worm flights of fancy, these are the best songs of the 'Æ0s. But mostly, we curated with maximum enjoyment in mind while limiting the list to one song per artist. In gathering our list of the ’80s very best, there was a lot to consider: Lasting impact, cultural relevance, actual musicianship, catchiness, coolness and, of course, nostalgia. And as the decade wore on, rap’s wave turned into a tsunami that changed the face of pop music. New Wave stalwarts like Talking Heads and Devo found new grooves while transcendent artists like Marvin Gaye and Paul Simon offered up some of the best work of their careers.
Pop on most any ’80s playlist and you’re bound to hear the same cycle of kitchy, seemingly alien vintage pop: synthy goth songs, lite hip-hop, the occasional punk infusion and a whole lot of hair metal.īut the '80s sound was so much more than the sum of its eccentricities, and there's a huge difference between an ‘80s song’ and a ‘song from the 80s.’ This is the decade that gave us Prince and Madonna, MJ and NWA. ’80s nostalgia usually focuses on the decade at its most outlandish: big hair, Day-glo shirts, scrunchies, New Coke… call it the Stranger Thingseffect.